Museums, works of art, and the law
 

n° 391 - March 2001

 

France currently boasts more than four thousand museums, offering the public an opportunity to discover and understand works of art. But behind the scenes, those running the museums must deal with day-to-day legal problems relating to all their activities, from acquisition and restoration to "merchandising". In their book entitled Droit, œuvres d'art et musées (Law, works of art and museums), Marie Cornu et Nathalie Mallet-Poujol explore the legal questions stemming from all a museum's highly varied activities.

Before a work of art can be exhibited in a museum, certain legal issues in both the public and private sphere may need to be addressed. The areas of the law pertaining to works of art range from contracts, author's rights, and property, to legislation concerning cultural heritage, public institutions, etc. A work of art may belong to a private person or a public entity; an exhibit can be organized by local authorities or a commercial firm. Often reconciling the conflicting interests of public service (the conservation and presentation of works to the public) and financial goals is a highly complex task.

In addition to playing their traditional role, today many museums are involved activities such as "merchandising", electronic publications, etc. When public museums pursue commercial activities, such as selling objects inspired by the works on exhibit, they compete with the private sector and may encounter new types of legal problems. Moreover, the added revenue generated by commercial activities raises issues related to administrative and business law.

The main role of museums is, of course, to preserve and protect artworks. Keeping these works under state protection is often the best way to safeguard them and ensure their accessibility to the public. Museums acquire their collections in various ways, all of which are subject to legal control. Art preservation policies are designed not only to keep works of art from leaving a given area, but also to oversee conservation and restoration.


Reference:
Droit, œuvres d'art et musées,
Marie Cornu,
Nathalie Mallet-Poujol,
CNRS éditions 2001,
408 pages, 195 F.


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